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Jackets made from bonded taffeta featured inserted foam on the shoulders worn with trousers in a stone grey with added swirling panels on the side that create movement. The waist drama was inspired by sculptural pieces Horgan did for his MA course and he created the waspie out of a mix of satin, grosgrain and foam. His looks included a sculptural ‘waspie’ over a lime green dress in Raschel lace – a modern take on lace that appears like a mesh. His LFW audience were introduced to hyper-sensational silhouettes that race around the body and circulate downwards, while long and lean shapes lift the body upwards. Horgan takes inspiration from the strength of women in his family and juxtaposes them with surreal women who inspired him throughout his early youth. The new collection features trench coats imbued with “militant strength” and for super glam day-to-night looks, he used a two-way stretch satin which, he says, “moves like liquid” when you walk. Horgan, whose atelier is in his native Ardfert, is all about letting the garment transport one into the “newer self, never looking back”.įor the upcoming SS22 season, he has used luxe fabrications such as grosgrain, bonded taffeta and tech-based fabric with UV protection.

His latest collection, Future Partisan, a story of acceptance and adoption of a new paradigm was filmed in Tralee, and Horgan was able to involve lots of Irish creatives in the making of the film which was digitally shared with an international audience at London Fashion Week at the weekend.īy his own description, his new collection is a “gradually maturing vision, enduring longevity and flux”. The irony of shooting his new Spring Summer ‘ 22 film for London Fashion Week in an empty, former fashion shop was not lost on Kerry fashion designer, Colin Horgan. 4 in, 3 out: The Birmingham City January transfer business that could happen

Not doppler home sheep home 2 lost in london