Sure, Tom still suffers a plethora of abuse from Jerry, but in this case it usually doesn’t escalate beyond falling from high-rises or getting his paws slammed by windows and car doors. While the movie is often adorable and overwhelmingly wholesome, it lacks the true essence of Tom and Jerry cartoons: Goofy, slapstick barbarity perpetually enacted between the two characters.

She recruits Tom to aid in her mission, and the pandemonium that follows threatens to ruin the wedding of celebrity couple Ben (Colin Jost) and Preeta (Pallavi Sharda) as well as the career of Kayla’s overbearing manager Terrence (Michael Peña). After feigning her way into a new gig at the Royal Gate Hotel, Kayla is quickly ushered into her first task ahead of a big celebrity wedding taking place that weekend: Catch and kill a witty mouse who has recently made the premises his new home. As fate allows, the two quickly cross paths, and the ensuing chaos accidentally causes Kayla (Chloë Grace Moretz) to lose her job.

The nostalgic sadism of Tom and Jerry cartoons of yore is absent almost entirely from director Tim Story’s 2021 reboot the film instead focuses on repairing the acrimonious relationship between the cartoon cat and mouse duo.Ī hybrid of 3D animation and live action, Tom and Jerry transplants the central characters onto the streets of Manhattan, where Jerry searches in vain for a lavish mouse-sized abode while Tom busks with a keyboard in Central Park, masquerading as blind to pull on tourists’ heartstrings. As hypothesized by fellow Paste writer Kenneth Lowe earlier this week, it appears that children’s media can’t handle violence like it used to.

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